Building Liquid Machine

 

BUILDING LIQUID MACHINE was no small task. The 1700 sq. ft. building was constructed as a complete timber frame before any bales were even touched. The massive 33' 6"x8" roof timbers were installed next. After the frame was built, we then started filling in the straw walls. We used wheat straw packed into 3 string bails weighing between 90-100 lbs. each. The bales were pinned together using bamboo rods every course.

 

Once the building was secure and the exterior door was installed, the wood stove went in. Since the bale walls are so insulating, one wood stove is enough to heat the entire studio. With the roof on and the building secured, we could start plastering the walls. Several coats of lime plaster were put on the exterior walls followed with lap siding. The interior walls were treated with either lime plaster or gypsum depending on the rooms use.

 

The living roof was achieved by using 2"x6" tongue and groove covered by a 1/2" layer of rigid insulation. The waterproof membrane was installed next followed by several hundred more bales of straw. Within the next few years, we will cover the straw with soil to promote further growth.

 


 

The DESIGN AND ACOUSTICS were slightly different to employ due to the straw bale construction. As far as the design layout goes, Liquid Machine has a 25'x30' live room, 2 isolation rooms (one live and one dead), a 20'x30' control room, mud room, office and a bathroom.

 

Design characteristics were similar to a standard studio construction (optimum dimensions to reduce room modes, no parallel walls...) with one exception; The elimination of a double walled system for sound isolation purposes. When straw bales are used for interior walls, sound isolation levels are within an acceptable range.

 

Straw bales have a natural tendency to absorb sound. As such, the live room has lime plaster on the walls to give the room a natural stone reflecting surface. Since the lime plaster is only 1" thick, it allows bass frequencies to pass through and be absorbed by the straw. This gives the room a nice sound character with an average reverb time of 1.3ms. The inconsistencies of the straw bales enables the lime plaster to act as quite a good difuser as well.

 

This slideshow illustrates the construction of the studio. Please contact me if you have any question about the building process. I'd be happy to share my knowledge of straw bale building or timberframing with you.

 


 

Thanks to the many family and friends who helped out along the way. A special note of appreciation to: Caryl Gentile, Linda Barrows, Roger Brewer, Chris Cleary and Johnny Z. You're help and support was appreciated more than I could ever say! Thank You.

 


 

Starting the Timber Frame. The 33' Roof Beams. Expanding the Timber Frame. Low Roof Timber Frame is Complete. Building the High Side Timber Frame. More Timber Framing. And Still More! The Completed Frame. A Really Big Rock Found In the French Drain! The Completed High Side. The French Drain. Installing the Floor Joists. A Different Angle. Putting Up the Roof Beams. Foorings In, Trying to Beat the Weather! Adding the Roof. The Live Room Infill. A Different Angle. More Straw. Starting the Plaster. Chris Plastering. The Elevator Used to Bring Straw up to the Roof. The Finished Plaster. A Different Side. The Interior Bathroom. Staining the Liveroom. More Staining. The Control Room Window. Painting the Plaster. The Finished Live Room! The Other Side of the Live Room. The Mud Room. The Mud Room Guard Keeping Warm. The Front Entrance. The Control Room. The Control Room Difusser Wall. The Living Roof.